The Da Vinci
Code Phenomenon: A Brief Overview and Response
J.B. Hixson
Assistant Academic Dean
College of Biblical Studies
Dan
Brown’s book, The Da Vinci Code,[1]
gives a fictional account of a Harvard researcher named Robert
Langdon. In the story, Langdon is called upon to analyze Leonardo Da
Vinci’s work and decode its hidden mysteries. What he uncovers is an
elaborate scheme of secret societies, religious conspiracies, and
centuries old cover ups. His investigation does not sit well with the
religious establishment and he quickly becomes a marked man. So goes the
plot of this entertaining and influential novel.
Dan Brown’s novel has generated no shortage of
analysis. To date, the Code has been cracked, broken, solved,
decoded, exposed, scrutinized, dismantled and otherwise deftly refuted
in at least thirteen published books and hundreds more electronic
articles on various websites.[2]
Both evangelical Protestants as well as conservative Roman Catholic
scholars have united to reject the myths put forth in The Da Vinci
Code. At the same time, however, this national best seller has
received widespread acclaim and become a cultural phenomenon. What is
all the fuss about?
At a time when the distinction between truth and
error is becoming increasingly blurred, books such as this one find a
ready and willing audience. The pervasive pluralism that characterizes
postmodernity usually leads to the creation of truth rather than the
declaration of it. Such is the case with The
Da Vinci Code. Although it is a novel, it has been hailed for its
“historical accuracies.” Without taking the time to verify the
radical claims of this novel, naïve readers are increasingly accepting
its truth claims. Major media outlets have presented documentaries on
the “real Jesus.” Enlightened liberal professors are telling their
students that Brown may be on to something. And all the while an
unwitting and ill-equipped culture is being duped.
The problem is the alleged historical accuracies
are at odds with the only true source of absolute truth: God’s Word.
Defending his book, Brown claims, “One of the many qualities that
makes The Da Vinci Code unique is the factual nature of the story. All
the history, artwork, ancient documents, and secret rituals in the
novel are accurate as are the hidden codes revealed in some of Da
Vinci’s most famous paintings.”[3]
If Brown’s claims are true, then the Bible cannot be true. Indeed,
Brown rejects the infallibility and inerrancy of the Bible. Although he
claims to be a Christian, Brown espouses an inclusivist soteriology
saying, “We’re each following our own paths of enlightenment.”[4]
He intimates that the “belief that all those who do not accept Christ
as their personal savior are doomed to hell” is ridiculous.[5]
There
are several significant assertions that have come out of The Da Vinci
Code and have the conservative evangelical community up in arms.
These all flow from one central belief: that the Christian message as
revealed in the Bible is false. It is the result of a conspiracy in
which the real truth about Jesus has been covered up for centuries.
Indeed, the book’s marketing tag line reads: “The greatest
conspiracy of the last 2000 years is about to unravel!” Enlightened
thinkers should be wise enough to reject the simplistic claims of
God’s Word and search out the real story by finding and reading the
hidden documents which prove that Jesus is not the Jesus of the Bible.
Some of the more troubling claims of Brown’s novel include:
1.
Mary Magdalene was the wife of Jesus and the mother of His
children. Throughout history, church leaders kept this information
hidden and perpetuated an enormous fraud upon the world by insisting
that Jesus was the divine Son of God. The Holy Grail is not some elusive
holy relic that has been the subject of much speculation and countless
quests throughout church history. Rather the Holy Grail is Mary
Magdalene herself who represents suppressed feminism.[6]
The search for the Holy Grail is the search for the truth about
Christianity’s matriarchal roots.
The novel gets its name
from the myth that Leonardo Da Vinci was aware of this conspiracy and
gave the world a clue about it in his famous painting The Last
Supper. As one faces that well-known painting, a “V” shape to
the left of Jesus is evident. This “V” is said to be the symbol of
feminism and the person seated next to it is said to be Mary Magdalene.
2.
The novel also paints Christianity as misogynist. During
the Middle Ages, the church hunted down and “burned at the stake an
astounding five million women.”[7]
The church has consistently persecuted and demonized women in an attempt
to hide the shameful fact that Jesus was really a feminist. “True”
Christianity is militantly feministic but due to the cultural bias of
the church throughout history this “fact” has been kept secret for
hundreds and hundreds of years.
3.
Jesus is not divine. “The early church literally stole
Jesus from His original followers, hijacking His human message,
shrouding it in an impenetrable cloak of divinity.”[8]
Jesus’ divinity was invented by the church at the Council of Nicea in
A.D. 325. The church father
4.
The secret Gnostic Gospels are more accurate portrayals of
Jesus than the biblical Gospels. The Bible is not the self-revelation of
God to mankind, but rather the creation of man.[9]
The NT is “false testimony.”[10]
Taken as a whole, these and many other absurd
contentions in Brown’s book serve as a profound example of what
happens when absolute truth is denied and pluralism is embraced. Books
such as this one not only perpetuate pluralistic thinking, they flow
from it. The reason The Da Vinci Code has sold more than 7.5
million copies[11]
and been published in more than 40 languages around the world[12]
is because it feeds postmodernism’s insatiable desire to tear down any
and all truth claims. Although it is a novel, its theories are being
blindly accepted by readers who are eager to believe that there is no
grand metanarrative that serves as the basis for truth and provides the
meaning of life. To the extent that The Da Vinci Code seeks to
unravel the metanarrative of Scripture, it is welcomed into the
postmodern milieu.
Of the many responses to The Da Vinci Code
in print, there is one that has risen to the top. Darrell Bock, Research
Professor of New Testament Studies at Dallas Theological Seminary, has
provided a valuable and credible critique of Brown’s novel. Breaking
the Da Vinci Code[13]
is a succinct, well-researched, scholarly answer to the theories put
forth by Dan Brown. Bock exposes Brown’s claims as weak and largely unattested.
He is to be commended for disproving Brown’s claims by not only using
the biblical record, but using much of the same extra-biblical evidence
upon which Brown based his tenuous conclusions.
Bock begins his book with a look at the evidence
regarding Mary Magdalene. He concludes that based on both biblical and
extra-biblical evidence all that can be said of Mary is that she was
“a faithful disciple, a witness to the cross, burial, and resurrection
of Jesus. She was not a prostitute. She was not married to Jesus.”[14]
Furthermore, there is no evidence to suggest that Jesus was married at
all. “Jesus could well be single and fit into the practice of pious
Jews…there is good cultural precedent, as well as good evidence, to
see that Jesus was single.”[15]
Next Bock addresses the so-called “secret
gospels” that contradict the biblical record. The claim in The Da
Vinci Code that more than eighty gospels were considered for
inclusion in the canon but only four were chosen “may be the most
misleading statement of ‘fact’ in the entire novel.”[16]
The existence of more than eighty gospels is not attested in any
historical record. Brown’s appeal to the Gnostic gospels is nothing
new. Liberal theologians have long sought to elevate such extra-biblical
writings to authoritative status. Bock demonstrates that even in their
own day the Gnostic gospels did not represent viable alternatives to the
divinely inspired texts. Rather they were debated from the moment of
their inception. “The impression that Christians shared a vast array
of writings that some reduced in number to produce Scripture of their
own later design ignores this debate’s contentious nature from early
on.”[17]
Continuing his systematic dismantling of
Brown’s claims, Bock next addresses the canonization process for the
NT Gospels. The Da Vinci Code gives the impression that this
process was rooted in humanistic agendas and conspiracies. Bock ably
demonstrates that early believers, from the first century on, attested
to the authority and distinctiveness of the NT Gospels. In other words,
there never really has been a question as to which gospels are
authoritative and which are not.
When all is said and done, Bock determines that
only two historical claims of the novel stand: 1) women were elevated by
what Jesus taught; and 2) Mary Magdalene was not a prostitute.[18]
The plotline of The Da Vinci Code is not only historically
inaccurate, when the evidence is evaluated, it is not even plausible.
For this reviewer, the most impressive and
intriguing section of Bock’s book is the final chapter entitled “The
Real Jesus Code.” In it, Bock eloquently confronts his readers with
the gospel message of Jesus Christ. His assumption, it is presumed, is
that many unbelievers who have been captivated by The
Da Vinci Code phenomenon might pick up a copy of Bock’s book as
well. Therefore, he seizes the opportunity to explain God’s plan of
salvation in hopes that some of his readers might become enlightened by
the truth and express faith in Jesus Christ for eternal salvation.
Using language contextualized for his postmodern
audience, Bock explains the concept of sin in the lives of human beings.
“It is not a popular word in our culture,”[19]
he admits. But our world is not a world of “virtual reality that
pretends everything is pretty much okay. It is a world of reality that
humbly faces the fact that left to ourselves and our independence, we
will act in destructive ways.”[20]
He goes on to say, “Jesus came to show us how seriously God took sin
and the restoration to life. Jesus also came to show that God loved us
so much that God would give up a precious life into death so that we
could experience life.”[21]
Bock explains to his readers that there is a way
out of this sin predicament. It involves “admitting our need for God
and for forgiveness.”[22]
The only provision for our sin problem is Jesus and the forgiveness He
offers. “The church has called this acknowledgment faith. It is faith
in Jesus the Savior.”[23]
One might raise several objections here. First,
Bock’s phraseology regarding “the church” is misleading. It is not
simply the church but the NT itself that conditions eternal life upon
faith alone more than 160 times.
Second, “admitting our need for God and for
forgiveness” is not in and of itself faith in Jesus for eternal life.
Multitudes admit their need for God and for forgiveness and yet do not
trust Christ to give them that forgiveness. Faith in Jesus is being
convinced He guarantees eternal life to all who simply believe in Him
for salvation (John
Third, Bock could be clearer in his expression of
what Jesus promises to the one who believes in Him: eternal life. He
does say that Jesus died “so that we could experience life.” But “experiencing
life” and “having eternal life” are two completely
different things. The closing words of his book are compelling, but fall
short of clarity:
God says simply, “Believe in Him. Trust in the work
He has done and will do for you.” What lies ahead of such an embrace
of faith is a new and unending life of fellowship with God lived through
God’s forgiveness and spiritual provision. That is the real Jesus
code. That is something worth believing.[24]
Bock’s reference to “an embrace of faith”
is more poetic than it is helpful. What does this mean, exactly? Why not
avoid any potential confusion by saying simply “what lies ahead of
such…faith is…unending life”?
Additionally, while the reference to “unending
life of fellowship with God” approaches the biblical expression eternal life, this too could be stated more clearly lest the reader
miss the precise nature of the gift that comes by faith in Christ,
namely eternal life. While this reviewer appreciates the
centrality of faith in Bock’s evangelistic appeal, he wishes it
had been clearer with the inclusion of biblical language.
What can the average believer do to combat the
myths perpetuated by Brown’s popular novel? In the first place, we
must funnel everything we hear or read through the grid of Scripture.
Any truth claim that contradicts the claims of the Bible is to be
rejected. If man is made to be the source of truth, there is no truth.
Truth is absolute. It is not a creation. Hold fast to the authority of
God’s Word. Do not be afraid to publicly reject the erroneous claims
of this book even if it is counter-cultural to do so.
Secondly,
much like the Mel Gibson movie The Passion of the Christ,[25]
which itself is fraught with biblical inaccuracies and a dependence upon
extra-biblical myths and yet nevertheless serves as a springboard for
evangelism, likewise we should allow the phenomenon of The Da Vinci
Code to serve as a starting point for sharing the gospel with
unbelievers. As you see others captivated by the novel (which is after
all engaging and well-written), seize the opportunity to present the
true gospel: salvation is only by faith alone in Christ alone.
[1]
Dan Brown, The Da Vinci Code: A Novel (
[2]
See Richard Abanes, The Truth Behind the Da Vinci Code (
[3]
See “A Conversation with Dan Brown” at www.bookbrowse.com,
italics added.
[4]
See www.danbrown.com.
[5]
Ibid.
[6]
Brown, The Da Vinci Code, 253.
[7]
Ibid., 125.
[8]
Ibid., 233.
[9]
Ibid., 231.
[10]
Ibid., 345.
[11]
AP article “Da Vinci Code Author: I left Out Material,”
[12]
See www.danbrown.com.
[13]
Darrell L. Bock, Breaking the Da Vinci Code: Answers to the
Questions Everybody’s Asking (
[14]
Ibid., 30.
[15]
Ibid., 58.
[16]
Ibid., 61.
[17]
Ibid., 97.
[18]
Ibid., 154.
[19]
Ibid., 163.
[20]
Ibid.
[21]
Ibid., 164.
[22]
Ibid., 165.
[23]
Ibid.
[24]
Ibid., 167.
[25]
For a detailed discussion of The Passion of the Christ see
the articles by the present reviewer available online at
www.hixson.org/Studies.html.